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Name:Daniel Crandall
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Hollywood Writer's Strike

In general, I've come to the position where I am more with the striking writers than with the studios. But when I heard on the radio Kelsey Grammer say that the studios should "share the wealth", I wondered what he would say if their response was, "OK, Kelsey, we'll share the wealth. We'll start with yours. We're cutting your paycheck to accommodate the writer's demands." Somehow I think his support would wane a bit.
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Shooting protesters = "Doing Incredible Things"?

When Sean Penn praised Hugo Chavez for "doing incredible things" for "80% of the people who are poor" I wonder if Penn had this in mind.

Maybe the dead and wounded in that Venezuelan march are unduly disgruntled poor folks that constitute the 20% for whom nothing's been done, aren't poor, or just deserved to be shot for being uppity.

Maybe they're the folks Penn was looking for when this picture was taken.
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Mister B. Gone goes political

Clive Barker proves himself to be just another Left-wing writer, for whom politics is first and foremost in his mind.

At a book signing within a very nice independent book store, Third Place Books, in Seattle, WA)  for his latest novel, Mister B. Gone, took less than 10 minutes to rhapsodize on what a utopia America could be if 1)come January 2009 'Hail to the Chief' was being played for Pres. Hillary or Pres. B. Hussein Obama, and 2)neither one of these two acted like the "rotten", "corrupt", "brutal" Bush administration.

The event was nothing but questions and answers. There was no reading or opening talk. "This is what he wants", the audience was told before Mr. Barker took the stage. The third question was actually a good one. A woman in front stood at the microphone and asked, I paraphrase, "In what medium, writing or painting, do you think represents your greatest area of growth?" After rightly praising the question, the audience, which no doubt mostly agreed with him (this is Seattle, after all), Barker monologued on how Republican men are ruining the West.

It would be my greatest joy to attend an author's book signing and not get an earful of his or her political views. When I go to see a fiction writer I want to know about their creative processes, about their craft, even, to some extent, to hear how their world-view impacts their art. I do not want to know who they, and why they think so-and-so should be POTUS.

I went to the event because I read, in and interview he gave to Rue Morgue magazine, that part of what informed the Mister B. Gone's creation was Barker's absolute hatred of the Catholic Church, which he stated was the most evil, corrupt organization in the world. I wanted to see and hear for myself what kind of person develops such deep antipathy for the heart and soul of Western Civilization (if it wasn't for the Catholic Church, Mr. Barker would not have had any university at which to study philosophy).

I went. I saw. I left. The next time (if there is a next time) it will be very difficult to separate the fact that I'm reading such a bitter Leftist's work, while pouring through what might otherwise be a well written horror story.
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Today's Ozzie and Harriet had better be ...

the homosexual couple in your story or else Hollywood isn't interested.

I've caught on to the whole watching movies online thing (though at first I thought it was silly). Netflix has a great service which allows subscribers to watch movies or television shows instantly. Lately, I've been watching a few episodes of the Showtime series "Dead Like Me".

I found this to be an interesting and engaging show. It's about an 18 year old girl who dies and is drafted into the ranks of the undead, which serve as Grim Reapers. It's well written, well acted and well directed. And it has Mandy Patinkin, one of my favorite actors ever since "The Princess Bride" (a true classic if ever there was one).

I didn't see a lot of PC nonsense until the episode 'The Bicycle Thief, that the shows Liberal bonafides were driven home. In this episode we meet a homosexual couple whose time has come, and the Reaper is there to free their souls from their mortal coils. The gay men in this episode are the pure picture of domestic bliss. They've been devoted to each other for years and seemingly will be for eternity.

The only other married couple we've met in the series is the main character's parents, to whom we visit quite a bit as we watch their marriage and over-all family life crumble, unable, it seems to cope with the death of their eldest daughter. The man and woman, in this traditional marriage, are drifting ever further and further apart.

Ozzie and Harriet they most certainly are not. That title goes to the homosexual men we meet in 'The Bicycle Thief'. The network responsible for "Qu**r as Folk" and "The L Word" would not have had it any other way.
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Social Relevance over Profits

That should be the mission statement of Natalie Portman's new business venture: Handsomecharlie Films.

According to Portman, "We all have the same desire to make meaningful and artistically fulfilling films and are committed to the idea of stories leading to greater empathy and action for world issues."

Isn't that what audiences have been clamoring for, more movies like "Syriana", "Good Night and Good Luck" and "An Inconvenient Truth"? On the other hand, maybe she will open up Handsomecharlie Films to movies that promote lower taxes, greater liberty and the death of Islamo-Nazis everywhere. Somehow, I don't think that's what she means by "empathy and action for world issues."

When you live in a bubble, you think the world is full of bubble heads who think just like you.

HT, Dirty Harry at Libertas.

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Like Hollywood - Comic Books side with America's enemies

It wasn't always this way. There was a time when comic book writers, artists and publishers sided with America against the enemies of freedom and liberty. Sadly, that cannot be said today.

While Hollywood is busy creating movie after movie after movie that are nothing more than Islamo-Nazi propaganda, comic books which actually show America fighting those that would create a worldwide Islamic theocracy cannot be published and distributed, even if they are being give out for free.

Back in 2004, CrossGen Entertainment tried to distribute "American Power" during the comic industry's Free Comic Book Day, a day meant to bring new readers to the comics medium.

The cover of "American Power" is of a super-hero laying out Osama bin-Laden with solid shot to the jaw. The comics industry, which includes those little comic shops that love to taught their independence, went nuts and forced CrossGen to pull the comic.

Fighting back against Islamo-Nazism cannot be abided. Mocking those that fight Islamo-Nazism is perfectly acceptable, and, very likely, required for success in this business.
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What Comic Creators REALLY think about the US Army

Yet another Left-wing Comic book creator and comics company shows what it thinks about the United States military and those bravely serving in harm's way.

Image Comics is bringing "Special Forces" to the stands where your kids will be browsing Superman, Batman, Spider-man and The Fantastic Four.

"SPECIAL FORCES follows a small-town autistic teen from his recruitment, through basic training, and then off to war in Iraq. With violent felons, mental patients, a violent mental hot chick felon and at least one "Don't ask don't tell", his unit is composed of the military's last line of defense. The very last line! What happens when desperate army recruiters fall below quota at the same time the President calls for additional troops?"

Is this satire? There is little doubt that that's Kyle Baker's goal with this less 32 page bit of scat dropped on the men and women serving in the Armed Forces. So recall what the definition of satire actually is; per Merriam-Webster.com: "a literary work holding up human vices and follies to ridicule or scorn." Therefore Mr. Baker is holding up the US Army's mission to rid the world of Islamo-Nazism to ridicule or scorn. What are the odds that Mr. Baker knows anyone in the military?

Remember this when your Lefty friends at work tell you how much the respect the troops. "Special Forces", and other works like this, are what they have in mind when they think about American troops.
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Example of the Warped Liberal World-view

Liberals are proving themselves to be the new Puritans. When it comes to behavior they deem politically incorrect they will bring down the full force of the state on anyone.

Case in Point:

In Oregon two boys were arrested, hauled to jail in handcuffs, strip searched multiple times, and not allowed to contact their parents while they  sat in jail for 5 days. All because they  slapped a few girls' behinds.

In California a boy playing with matches starts a fire that destroys 38,000 acres and 21 homes and he is sent home with his parents and whether or not charges will be filed is still under consideration.

I'm not arguing that the boy who started the fires should have been thrown in jail, strip searched and left unable to contact his family. I'm using these two cases to point out the warped Liberal world-view.

What will be really interesting is how the boy playing with matches will be treated by the "Justice System" versus how it will treat any of the other arsonists that started the recent fires in California.
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Know your limits - A review of "America's Last Days"

It is a wise man who knows his limits and lives within them. Based on his novel, America's Last Days, Douglas MacKinnon has not proven to me that he is a wise man. It also proves to me that Senator Bob Dole, Larry King, Tom Brokaw and James Carville wouldn't know a good novel if it jumped up and bit them on the a**.

America's Last Days is a political polemic wrapped up in a suspense novel. While it starts out promising it quickly loses focus and does nothing but jump from scene to scene.

The novel literally begins with a bang. Readers meet the doomed Justin Sims, a functionary within an organization that doesn't take kindly to quitters. Upon leaving this group his first, and last, stop is at a public phone where he intends to call the federal government and the media. He gets his call into the government, but while on hold, it is the government after all, he suffers a fatal dose of cranial lead poisoning. The guy he was calling was Michael McNeil, a Presidential adviser to a super secret Pentagon program. Why Mr. Sims was calling this particular individual we never learn. It was nothing more than a device to introduce readers to a main character that never does anything, except run around, get beat up on a plane, gain carnal knowledge of the sexy love interest, and wonder what in the world is happening to his beloved America.

Last Days starts with an interesting premise: What if the elite of the elite when it comes to overthrowing foreign governments turned their highly honed and deadly skills against the American government because they earnestly believed the Founding Father's America no longer existed. The book fails because it has no hero, nothing more than a set of characteristics for a villain and jumps from scene to scene and speech to speech.

I will give Mr. MacKinnon this: He certainly knows enough about writing such that readers keep turning the pages, wondering what's going to happen next. I kept turning the pages hoping the supposed hero, McNeil, would do something ... anything, that might impact the novel's plot ... if, that is, the novel had a plot.

America's Last Days is a conservative polemic disguised as a novel. Mr. MacKinnon should get himself to a popular fiction writing class before he attempts a sequel to this book, for which the ending is perfectly suited. If he is not going to do this then Mr. MacKinnon should stick with the political commentary and leave novels to those who know how to write them. It's bad enough that we have to deal with Leftists who shoehorn their world-view into every creative work. Conservatives should not mimic this absurd behavior.
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Political Correctness will Kill Us

The latest issue of Smithsonian Magazine includes this image of 5 Afghan women standing in front of a shoe seller in Kabul. The Smithsonian capture beneath the image, which can easily be verified in the November issue of their magazine, gives yet another example of why Liberals will never win the war against Islamo-Nazism. For them, there is no war, there is no enemy. There is only the multicultural "Other".

The image of these women is described as "The combination of traditional dress and running shoes was part of the 'incongruity' [Steve] McCurry ... says he saw in Kabul in 1992." [emphasis added] How about the incongruity of women shot in the head for the crime of being raped. Where is the Smithsonian on that issue? Where are Steve McCurry's images of that Afghanistan reality?

Afghanistan in 1992 was under the Islamo-Nazi jackboot of the Taliban and women caught in public in anything other than a burka faced beatings by religious police or worse.

It is despicable that a magazine that should know better describes the Islamic equivalent of a slave collar as nothing more than "traditional dress".

In 2001 the Smithsonian received over 69% of its then $665 million dollar budget from direct federal appropriations or government contracts, according to the New York Times. Our tax dollars at work.
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Another glimpse into the Liberal World-View

Brought to you, once again, by the Entertainment-Industrial Complex in Hollywood.

This line, from James Bowman's review of The Brave One, pretty much sums up the Liberal world-view on vengeance:

"[The Brave One} validates ... revenge-seeking, and even sees it as romantic and moral, just so long as [the perpetrator] feels bad about it afterwards."

And feeling bad about acting tough then requires one to seek absolution from the Liberal Priest, otherwise known as the Psychotherapist.


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Isn't this blaming the victim?

I just read this Robert Redford money quote over at Instapundit.com:
"THE PROBLEM IS NOT WITH THE PEOPLE THAT STARTED THIS. THE PROBLEM'S WITH US."
I wonder how many folks think, after they've been mugged, stabbed, shot, beaten, car-jacked, etc., think, "The problem is not with the violent thug who just attacked me. The problem is me!"

Yeah, that's the ticket.
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One book Hollywood WON'T want to make a movie

A young minority grows up poor and uneducated on the streets of an American city. He end up "a thug--a gun-toting, car-stealing gang member." Eventually, he breaks free of life in a street gang and earns one the highest awards an organization can award. Looks like the Hollywood studios would be in a knock-down, drag-out, free-for-all bidding war over the rights for this story.

Hollywood, however will not give this story a first look, let alone a second or third look. Why? The group giving the award is the United States Marine Corp and the award is the Navy Cross.

Marco Martinez tells his story in "Hard Corp: From Gangster to Marine Hero". The pathetically biased Publisher's Weekly review is enough to turn the stomach of any good, red blooded American. Ignore its anti-war, anti-male bias. Let's all go out today and pick this one up.

Let's make the New York Times really angry and make this a follow up to Ann Coulter's latest work.
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Dumbledore revelation

Now we know why Dumbledore never wanted to leave Hogwarts. He like nothing better than watching a bunch of strapping young lads flying around with a hard pole between their legs.

At least, that's what J. K. Rowling would have us all believe.

What is the point of this so called revelation? Has she not sold enough books? Was there not a big enough Harry Potter fan base among the homosexual community? Does she not get enough press?

Given that rumors that Rowling's next book would be a crime novel have been squelched; could it be that she actually doesn't have another book in her and now she's afraid that the fame and accolades will 'disapperate' before her very eyes now that Harry Potter's all grown up with kids of his own.

...

What, you mean you haven't read "Harry Potter and the Deathly Hallows"? Shame. Go read it. Before GLAAD get their sticky little fingers all over it looking for proof that Dumbledore was a homosexual.
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Doctor Who forbids religion

I recently caught the 2005 season of Doctor Who, a series that had not been aired for over 15 years. I was never a Doctor Who fan, but these new episodes caught my fancy, what with the benefit of modern special effects and all. I was watch the final disk, which I got from Netflix, and discovered the show's creators interjecting their anti-religious bias into an episode (OK, maybe they did it quite a bit but the stories are good enough that one doesn't notice).

In episode 2, titled "The End of the World" there is a scene in which we are approaching the space station, from which space tourists can watch Earth's destruction. A voice over gives the future's space tourists the following advisory as they arrive at their intergalactic hotel:

“Guests are reminded that platform 1 forbids the use of weapons, teleportation and religion.”

Something they just slip in under the radar screen. I certainly didn't catch it on first viewing. Only during the Extras disk did I hear it. One more shot by the irreligious secular Left in the Culture Wars.
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